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"Was it the Rubens hat with the long brown feather?" asks Violet, sweetly, turning to Mona, as though compelled by some unknown force to say anything that shall restore the girl to evenness of mind once more. "I wonder," she says to herself, softly, "whether he will be with me at the usual hour to-morrow, or,—a little earlier!" CHAPTER VI..

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"Well, just after luncheon Letitia, your maid, brought me a note. I opened it. It was from Paul Rodney, asking me to meet him at three o'clock, as he had something of importance to say that concerned not me but those I loved. When he said that," says Mona, looking round upon them all with a large, soft, comprehensive glance, and a sweet smile, "I knew he meant you. So I went. I got into my coat and hat, and ran all the way to the spot he had appointed,—the big chestnut-tree near the millstream: you know it, Geoff, don't you?" "I don't mean him,"—severely: "I mean the brother you called 'Old Nick'—Old Nick indeed!" with suppressed anger. Perhaps, just at first, surprise is too great to permit of his feeling either astonishment or indignation. He looks from Paul Rodney to Mona, and then from Mona back to Rodney. After that his gaze does not wander again. Mona, running to him, throws herself into his arms, and there he holds her closely, but always with his eyes fixed upon the man he deems his enemy. "Yet the Princess D—— always calls her train a 'tail,'" says Violet, turning on her piano-stool to make this remark, which is balm to Mona's soul: after which she once more concentrates her thoughts on the instrument before her, and plays some odd old-fashioned air that suits well the dance of which they have been speaking..